MOT Collection

Seven Beauties in the Bamboo Forest
Special feature NOMURA Kazuhiro
Eye to Eye

The Museum of Contemporary Art Tokyo houses over 5800 works of art from modern to contemporary, with a particular emphasis on post-war art. The MOT Collection exhibitions present works from that collection, adopting a different approach on each occasion to advertise the diverse attractions of contemporary art.

"o to da te" and "no zo mi" (PDF)

Seven Beauties in the Bamboo Forest
Special feature NOMURA Kazuhiro

KONO Michisei, Seven Beauties in the Bamboo Forest, 1923

  • MAEMOTO Shoko, Deep Sea Anemone – Eat Up the Heaven!, 1992
    Photo: SUEMASA Mareo  courtesy: GALLERY KOBAYASHI

  • URUSHIBARA Hideko, The Snow Man, 1956

  • KOBAYASHI Donge, From Edgar Allan Poe: Morella, c.1970

  • TAKAGI Toshiko, Flower, 1981

In a display dubbed “Seven Beauties in the Bamboo Forest” and dominated by recent acquisitions, the first floor will focus on seven female artists. The title “Seven Beauties in the Bamboo Forest” comes from that of a work by KONO Michisei held by the museum. In Kono’s painting, the ancient Chinese “Seven Sages of the Bamboo Grove,” spurning worldly concerns to congregate in a bamboo grove and engage in philosophical chat are transformed into women in vibrantly-hued garb. Inspired by the sight of these seven women of different cultures and eras mingling harmoniously among the flowers and birds of a light-filled bamboo forest, for this exhibition we decided to illuminate the work of some female artists whom the museum has hitherto had few opportunities to showcase. The character 妍 (ken) of the title, meaning beauty, generally refers to a certain grace or refinement in appearance, but here refers to how each of the seven artists has engaged with the idea of beauty, and produced art accordingly. Offerings from MADOKORO (AKUTAGAWA) Saori and TAKAGI Toshiko, both born exactly a century ago, URUSHIBARA Hideko, KOBAYASHI Donge, and MAEMOTO Shoko will comprise mainly new additions, while the works of FUKUSHIMA Hideko and ASAKURA Setsu, already in the collection, will be grouped together. To coincide with this display of work by the seven women, the first floor will also play host to a special exhibit by NOMURA Kazuhiro, an artist with a career characterized by the exploration of the creative act via conceptual works.

  • NOMURA Kazuhiro, Altar of Laughter, 2014/2019 photo: Haruyuki Shirai

  • NOMURA Kazuhiro, untitled (grapes), 2007 photo: Ichiro Otani

Eye to Eye

The third-floor exhibition, titled “Eye to Eye,” turns its attention to different types of gaze. Kicking off with gaze as painted by the likes of Alex KATZ, NAKAMURA Hiroshi, and NAKAZONO Koji, “Eye to Eye” goes on to include a diverse array of works, including sculptures in reflective materials by TADA Minami and Monir Shahroudy FARMANFARMAIAN; the works of Georges ROUSSE, who creates illusory installations in derelict buildings and photographs them; and an installation by KAIHATSU Yoshiaki, who brings a playfulness to the space between the visible and invisible. There will also be a special exhibition of work by HASEGAWA Shigeru, a painter consistently dedicated to interrogating the status of paintings as “things to be seen.”

NAKAMURA Hiroshi, Eye from Chiaroscuro, 2015-16

  • TADA Minami, Frequency 37306505,1965  photo: Masaru Yanagiba

  • KAIHATSU Yoshiaki, ON THE TABLE, 2010 ©︎Yoshiaki Kaihatsu

  • HASEGAWA Shigeru, happy white macaron-chan, 1997

  • NAKAZONO Koji, Post Human, 2007

  • HASEGAWA Shigeru, [no title], 2007

*This exhibition is a continuation of the previous term, with some of the exhibits replaced.
*Please be informed that the contents of the exhibit may be subject to change.

Artists

ASAKURA Setsu, URUSHIBARA Hideko, KAIHATSU Yoshiaki, KONO Michisei, KOBAYASHI Donge,TAKAGI Toshiko, TADA Minami, NAKAZONO Koji, NAKAMURA Hiroshi, NARA Yoshitomo, NOMURA Kazuhiro, HASEGAWA Shigeru, FUKUSHIMA Hideko, MAEMOTO Shoko, MADOKORO(AKUTAGAWA)Saori, MIYAWAKI Aiko, John BALDESSARI, Monir Shahroudy FARMANFARMAIAN, Alex KATZ, Roy LICHTENSTEIN, Gerhard RICHTER, Georges ROUSSE, Andy WARHOL and more

Information

Exhibition Period

Saturday, August 3 – Sunday, November 10, 2024

Closed

Mondays (except Aug. 12, Sep. 16 and 23, Oct. 14, Nov. 4), Aug. 13, Sep. 17 and 24, Oct. 15, Nov. 5

Opening Hours

10 AM -6 PM (Tickets available until 30 minutes before closing.)
*Open until 9 PM on Fridays in August

Admission

Adults – 500 yen / University & College Students – 400 yen / High School Students, Over 65 – 250 yen / Free for under Junior High School Students & Temporary Exhibition tickets holders

* Tickets for the "A Personal View of Japanese Contemporary Art: Takahashi Ryutaro Collection","Yoshiaki Kaihatsu: ART IS LIVE―Welcome to One Person Democracy" include admission to the “MOT Collection” exhibition.
* Children younger than elementary school age need to be accompanied by a guardian.
* Persons with a Physical Disability Certificate, Intellectual Disability Certificate, Intellectual Disability Welfare Certificate, or Atomic Bomb Survivor Welfare Certificate as well as up to two attendants are admitted free of charge.

[Silver Day] Those over 65 years old receive free admission on the third Wednesday of every month by presenting proof of age at the ticket counter.
[Summer Night Museum 2024]
Special discount for admissions after 5 PM on August 9, 16, 23 and 30.
Students: Free with valid identification / Adults & over 65: 20% discount with valid identification
[Students Day supported by Bloomberg]
Students can view the exhibition for free by presenting a valid ID at the museum's ticket counter on September 7 and 8.

Venue

Museum of Contemporary Art Tokyo, Collection Gallery

Organized by

Tokyo Metropolitan Government, Museum of Contemporary Art Tokyo operated by Tokyo Metropolitan Foundation for History and Culture

Concurrent Exhibition

See Exhibitions

Past Exhibitions